Price of Freedom Wraith was the last of the Freedom Six variants I had to unlock in Sentinels of the Multiverse: The Video Game. I left her until the end because frankly, playing against the Chairman is a pain even when you’re not playing to a particular win condition. So on this occasion, Ray and I played together over Steam
It took two games to make the unlock happen. The first crashed and burned because Prison Break unleashed a torrent of underbosses and thugs. By the time they were done, the Fence had restored Chairman and Operative both to their starting HP, thanks to all the constructs getting wiped out.
The second game, we subbed the Visionary is for the Scholar, in order to get some more control over the Chairman’s deck and trash. The final line-up was Wraith, Tachyon, Haka, Captain Cosmic and the Visionary. Playing Brain Burn on the first turn removed a lot of the Chairman’s bite, as suddenly there were no thugs to pull from the trash and we could focus on underbosses. Savage Mana appeared almost immediately, and we stashed all the underbosses underneath it until we got the Operative out of the way. And Captain Cosmic granting out of turn power uses is always helpful. In fact, Wraith dealt the final blow to the Chairman on the Visionary’s turn, after she dinged a Dynamic Siphon with a Mind Spike.
At this point, it won’t surprise anyone that I took the opportunity to experiment more with OBS. This time was more a stress test, seeing how well it could record the gameplay and stream to YouTube at the same time. While it worked pretty well — OBS’ CPU usage hovered around 15% and the bandwidth stayed on target — there was one major hiccup: there was a network traffic issue that caused YouTube to report it wasn’t getting any data at all for a couple minutes. I wasn’t able to monitor what that would look like to live viewers, but apparently the data kept flowing, as YouTube’s recording plays back without interruption, after it had some time to process. I would like to see what that kind of interruption looks like to viewers. Does the player pick the stream back up as soon as it can, or do they need to press play again?
The local recording looks good throughout, though, so that’s a plus. The one thing to keep in mind is that when OBS is set to use the stream encoder settings for a recording, that also means video resolution, which is scaled from 1920×1080 to 1280×720 for YouTube. D’oh.
I also want to tinker with the audio settings. There are instances of peaking and crackling in the recording. I’m curious whether that’s to do with levels — which never hit the red in OBS, from what I saw — or sampling, because OBS defaults to sampling everything at 44.1 kHz.
Harkening back to